The fundamental mantra for making an Indian television serial is that it must be never ending. It has to take till scrapped by the channel producers.
Predicated on observations over the years the following guidelines have now been listed since many essential.
The Storyline: As we've mentioned previously the must mantra above the storyline should ideally have maximum elasticity. Means the storyline has to be structured in such a way that it can continue endlessly taking in new angles or triangles or developments or shock treatment or altruistic twists or directorial wish and that it should not get caught with a dead end. You simply cannot afford to aim at a most logical end, because you should aim at earning the most revenues possible-both for you personally and the TV channel. If revenues are found to be dipping the channel producers will automatically and abruptly end it. This does not imply that the storyline ends there.
The Characters: Following as a corollary from the above the characters of one's serial must certanly be immense in numbers and stupendous in characterization. Mostly huge joint families are preferred with distant relatives thrown in as and when necessary. Please do not set any limits on the varied couple you can make ranging from the granddad-grandma anyone to the fantastic grand son or daughter vs. great grand in-law couples, if possible. You have to likewise have a wealthy reserve of dormant characters just to produce them alive and kicking as per the twist-wish necessity. And, also for the dreadful eventuality of the serial inevitably heading for a most logical end you are able to just withdraw from the reserve and manhandle it to the constant track again. Say no to the frowns and scowls of the channel producers. Always.
The Location: You've no choice here because of the above conditions. You have to always have an enormous posh bungalow with a gigantic hall and inner staircases resulting in the galleries and rooms above. This requirement is aside from whether your serial is urban or rural based and if the protagonist is a pc software billionaire or perhaps a right down to earth cultivator. You have to understand, you will need the space to maneuver your abundant quantity of characters around and showcase their emotions. You need the demonic hall, because during a dramatic moment you've to fall into line all your characters there and continue taking their reaction close ups endlessly with the cameras doing go-rounds or vertical assaults.
Before we proceed to other crucial guidelines let's have a break. We achieve this in sympathetic acknowledgement of the nut breaking importance of breaks for a serial.
